Nicholas Lezard has always struck me as a man with the catholic but highly selective tastes (in literature if not in
standards of accommodation) that distinguish the true connoisseur. Does my saying this have anything to do with the fact that he has j
ust singled out my trilogy on pattern formation in the
Guardian? How can you even think such a thing? But truly, it is gratifying to have this modest little trio of books noticed in such a manner. I can even live with the fact that Nicholas quotes a somewhat ungrammatical use of the word “prone” from
Flow (he is surely literary enough to have noticed, but too gentlemanly to mention it).
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