homunculus

Postings from the interface of science and culture

Tuesday, April 21, 2020

Three colours: Yellow

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Jan van Huysum’s Flowers in a Terracotta Vase (1736) is a riot of floral colour, the equal of anything else by the Dutch flower painters of...
35 comments:
Friday, April 17, 2020

Three colours: Blue

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This is the second of theree essays on colour commissioned for the catalogue of a now-cancelled exhibition on colour at the Musée d’Orsay in...
38 comments:
Thursday, April 16, 2020

Three colours: Red

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This is the first of three essays on colours that were to be included in the catalogue for an exhibition at the Musé d'Orsay in Paris th...
32 comments:
Saturday, February 29, 2020

How you hear the words of songs

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This is my latest column for the Italian science magazine Sapere . ________________________________________________________________ ...
180 comments:
Sunday, January 05, 2020

Was Dracula gay?

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The mostly rather splendid adaptation of Bram Stoker’s Dracula just screened by the BBC prompts me to post here this short edited extract ...
113 comments:
Sunday, December 29, 2019

Rise of the vacuum airship

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Sorry folks, I had to take the full story down - it violates New Scientist's rights agreement, which was entirely my oversight. The publ...
356 comments:
Thursday, November 07, 2019

The City is the City

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My brief from the wonderfully named Dream Adoption Society of the Zbigniew Raszewski Theatre Institute in Warsaw – for their 2019 exhibition...
75 comments:
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About Me

Philip Ball
I am a London-based writer, and the author of several books on aspects of science and its interactions with other aspects of culture. My latest book is The Modern Myths (University of Chicago Press, 2021).
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